Iambic Pentameter - crestwoodschools.org

Iambic Pentameter - crestwoodschools.org

Liter ary Dev ices Iamb ic Pent ame t er Oxy mor on Pe c i b Iam ter h s e i l g n m E a f : r o t e t n e rm o m f c i n t o e 5 m o f p m o co p u t s . e o s d e m a l b m a l e l The n y i s l r d e e e v p s a s e ts Ih r a t y e s a b d un . n a n e r 5 i e T

a e d f s n t d a o n n a d l a e u s o o s t f e o e S stre h t : e ? 1 r y a # a p d e l m s p o r c m e I l m l Exa a m h u S s : 2 # e l p m a Ex Imag ery Lan gua ge t to t hat he fi app of s ve m eals ight a j o , sm r se tast n se ell, e, a s n h d to eari E x am ng, uch p . le # softlifted 1: Th y ha wind b

y ir the (si w ght, E x am touc innowin g h) drea ple #2: ry n ight It was whe on a of N n o I yello ve m saw b w t open eye of he dull er the ; it b c a co nvul reathed reature sive agita hard m , and ted its li otion mbs . ma l Infor A : k e r l o p w m f a n Ex ie r o s i b t t n c A e fi t d u u n o t o s b a g of n offers n i f t i o r y w it l a u that on on a q e ia r i h t e n t i fe op a , c t c e

e h j t b t o su n . d y l o l o a f usu in a letely n w o . p kn l l com us tone An e W : o le i p r e m r s a o e x f e b y m e d May rous, a y c b A o en m hum nal, e o o f W e o lD e i pers n a D n eve ling. b m a r y Essa w o fl s r e t t c a a r h a t A ch oughts h t f e o d h t n

i l a m e s v y e a r r e m t ; c s a r n cha motio eries e s d a n a in r a d e n p a s ap e g a . m s i n f o o i s s e s r r p o t t c im l i i V u g : e d l n p a m l r e Exa turmoi g n a s r i e l i inne with h h w d e r e u x t a mi h e r g c u o e r h h t t

t g a d n i n r a e s d n n i o a t w n . u e o r m u t a n the ng i r i adm n o M r o i r e In t e u g olo The stru occu ggle r wi that thin may a ch arac Exam ter. stru p le # ggle kill D with 1: Mac unca beth the deci s n an sion d th e eff to Exam ects ple # of 2: V turm ictor guilt. s in oil re n g er a rdin resp g his o n s Inte ibilit ies. rna l Co n flict Inte me Rh y rnal : e l p s

Exam n w ro c e iv e s G d m n y u o p Rh , d s n a a e t in u a g h t r d u n o a s y r t u o c n ut oc y b a a w n a i t h r t a e e h wi n i l e l m o s r a sing etry. F W I n o e of p Wh nd-a e n y O b y t n e Tw A.E. n a m s u o H t s a is r t t n a A co een wh

d w n t a be d e t c ly e l p a x u e t e c e a r t h wha ens. T p p a h s: e l, p a . l ty n a o i b t r a e u V , c Sit i t a m a Dr n a c n u D : e t l a p e m Exa ts peac tle c s e a p c x s e h t e b c a s k M o o e l h t h whic ful, but are of e w c a a s e i p l i e v c e

n e i s d h t u a ; be l c a a n o M i t a u the it s ( s plan atic) dram y n o Ir Italia n (Pet rarc han) Sonn et A po em 14 l con ines si st ing , ma two of de u qua fina trai ns a p of l se nd a rhym stet. abb e sche The me a, a is bba Exam , cd c, cd p l e : So (see c. n page n e t 29 text 3 1 2 book 0 of ) i Kenn y e r g e s e h T m a n : e r es ( l p d m

r a o l Ex d e d s r e a e ) m r b a a n g e r h ( t o d Hr a o r e l n a o h m w e ) d a e d s e n e i a th t ) l s e n d i n s e e r h G n o s x T e a S m o a l g a n ; r A o (ren An aph ng Met ord or w d s n e u m o a p n m e r o c at h t e

s a r ph e h t lt e f e H e: p l u p h m s u Exa p t s u d d s i e l H l i r ch o es o t s i e h h t n t e s e n i w a g a bet p u y d d e o s b s s e i r h p t d o n a fo k c he o l t b r o g f n i y t d a e r star , d e s t ten sho c

i t e h t s Kine agery Im Lett e rs Writ te betw n corre spon een d (frie nds, individu ence als fam acqu ily, ainta mea nt to nces, et c.) u be p sual rivat ly e. Exa mpl es: Fam The ilys Pas exch writ ton a t e n n g War e du (Me of the R ring th e diev o s e Lett s al L it ers from eratur e); the Cryp t a Liter a r a b r a B k : c s i r e l t p a P d m r n a i a x S E p U e , h t n T e a

G r All o , ; s r n t o e n o p e S D i c e n m h A o t r f r e h d t Ba e f t o y p b a e d g m a n Ri o r s e k n l i o r f ) s r ( Ma e r i l o r h a t an e o w n au n e k v i n t u a r r a y l l An a n i g i r e o b m o t e o d p e g d n

n u s int e a l l ad ry B Lyric ; em : o s p le t r p o h m s xa A s ich a e f E i W r h e e w k h a T in e ; p s t n le e g m n i a s L es s s e e h by T expr nal t n e o s d r m n e o a p t M s e t r h a g g r a thou gs; (from M ; d o n i o e feel reek Atw espear G k a ; h s the a t S e

= nn e n o r e s y l t t s i r al w c i s s t de mu n O e n m h u r o t J ins by s o t eat used pany K m o c c a ) s g n so Majo r Ch arac ters The mos t char acte importa rs in nt main a unde charact work; t ers w he rgo thro a ugho chang ho e the u t t h plot. e mo vem ent of Exa mpl es: Mac Beo beth wul Ebe & f; Lad nee yM zer Vict S or & croo acbet h; th e ge; Crea ture Mem oir

: s e l p m a t x n E e , m n a t o i y s t c e b T fi h t n o u n o Y A f o o t al a u l c r l a i e A h V p ; a n r i g a bio in fe ritt i B L y M t work the u B a t h r c i e G wh y b n r a o h m t s t e au i h g W i ls N l ; a c n i t re e n l a K c

fi i e i n s l i g E i h s y n i b s t l n e e s v e ie e f i l W r e or h n o s i r a p m o c t c e r i o d w t A n s e g e n i w t h t be r a l i m e i v s a s i h d y a m t in a h g t n i h t e e b m . o t o t s c e n ff o e m r com ared fo l o

o p h c S com : h s s e i l l p g n m E a ; e Ex r ; u t 1 r 1 . o E . is t H se o s r i a s s s i a l c e a g s i a i r e r f i a L M s ; p n u e f d r o a d g a o r long owns d d n a r o h p a t e M b lo t s y A1 nd r l a t fi r u m r o ed t c o

f l, o d l a m e a c i t o c og l (pr t rejec al lyri e al h c t c i a i h s n h t p o o mu d s e o in l s i a u t h c n p o f d co n d n a a ge e l e t a t a f u s u o ; in ct ng e e a f l d l i l l n , e f a t e l o , n i s ty ts e s c . g l e x a a p o n m s

d i o a ti d ra a e a s t p r c e ve p n x o e c un , y pla ic a l phys Meta Poetry n o i t ic d d e l n a a V , A g h n t i : o n s b le ur p o d m M ou r Exa dding P t i o b N r e Fo B le y h t e t s n a c i t e e) De hn Don o n p n o ry o D u J t n y n h nd b o a J

th ce e y v 7 Repe rhyt hmic titio n of unit in po a regu is in deno dica l e ar t r y t . te a ed u Mete n s ing a unst and r r a/t o de essed s to y l la b note le a str esse sylla d ble. / Exa / mpl e: / I ho ld it true , wh ate / befa er Met ll er C ha r M in o ers r ac t ss e l e Th nt a t r a impo cters in a char of work ture a liter : s e l mp a x E in r a ter fg l e u P W f; l u w A Beo het in c C r at t m a s t is C h r l ; Ern es n i o

r m a a C illi W n; i d e n t a ns e k Fran and s Ros eith in t Men eth b Mac A : s e l p e h m t a t u Ex o b a y a l p he l; A t f o u e a f i P l e l t s Apo atic e m c a n r a d m e r h o t f r n h pe o J t u o ab st i t p Ba m r o f l a v t ie a d h e A m rature t e e h t i t l f d o

e z i t a . s m t a n i dr a s f o s live y a l P e l c a r Mi Mon o lo g ue A lyr i dram c poem o addr a in whi r a spee c e c liste sses a s h a spea h in a n i k inten er in a m lent or a er bsen sity ome the o t n t of purp r deep o se emo high feeli of re tion ngs, v m e aling for ot i v a Exa mpl tions e , etc Last s: T . h D e u c p Po rphy hess a oems Rob My rias nd ert Lov Bro spe er wni e ch by ng; abo mea M ac ut t ning beth he the l e ssne s dea s th o f La s of life dy M

a acb fter eth. a t e a s h t u e e r h e t h h , p t i s n o o w i t m n a t t e a t o f r n o . o n , c r o t g e c e n i d , l a g e e n e i r f t t e e e h s t Th , r s o l i f a s t e e t e d a h , e t y r c er at g h a t f m g o i f n i

g o el in e n f n f i e o i g r e g e b e in e t e t h h t e e T s t h a t y : f s e m o e t l o a o n p e l o a r i m g c t s a e p s x e i h e v E r t i c h ; e s c c h t e t k e d r c e wi e b e e ch Mac lab; th r. Hyd M s e r r o Vict or whe do d o o M l

Mora l ay ity P : s e l p m a x l E a a v m e i a d r a e d g m m n A a i r A y d a f r o t r an po form ich the m d l o h r an e in w cters t c ra a a r h a c ch d e m e ho na wer rical w th o a g e e D ) a ll s c i e l o h s b c a a m e h y t c s ( u s e s e e , r r d u e th e

a fig r s G r , , e y t th s o a i u e r lo D a n e J o , s e s le Prid t u o . ab d etc gree Moti f The sma llest e le m recu e nt r i the pow n a stor ring e r to y ha trad v in g i ti o n p e rs , oft the e n r i s t in them elate e. d to Exa m pl es: Mac be t h Wat Jour er in ; S croo n ey Dea to h ges th in is p ast; Fran ken stei n Mys Play a s v y e a i r rt ed o m n p e t A t a f o h t

; y form cal stor rches bibli d in chu oors d e t m u r o o f e r h e p or t te r y ic t a d m n a a r d h a A o N es: l f o p r e m o c a , n x , s a E b r o m e J r h o t f r o r r o B pe , s i k e r H h A t d g n the ph an i d a t e e p s L y o g J E es s f o to M u o r o s

c i w t e a r m a r Heb d l a Narr a t io n / Narr a to r The tellin the g of a voic story e of voic or a sto e ma ry; t char y be he acte a r in or a the voic stor e ou actio y tside n. the Exa mpl es: Wal Rob ton, ert Crea Vict o Fran ture in r, & th e ken stei Utte n; M rson Mr. r Hyd in Dr. . Jeky e. ll & th i w d e n r e c n f o c o s g e i in r t i e r s W a e g b n i t n a a l. c a rel t

u i t c s; a t f n r e o ev y r ina g a im rt o h s A : s e a l ; p l e ; m v t a o n x n u E o a c ; c y a r t r o n t e u s p a co p c s a ; q new ldier s a Ir n o i s a ay t s is a h , f a o im h s Hiro alists f o n r n e i o i n jou t o la m i i p t s m te co r o

v i v r su Na e v i t rra Narr ative Poem : s e l p m a Ex f; l u w t o a e h ; B t d a m i l e I o ; p e y r h A t to s a tells tive the sey; a s r y r a d n O e s i s d m poe in Para Rime a ; t t n s , o o s c r L e t c e a r h f t a o h f t c o n i t o n p e , i t c

n plo A d ; r n a e , n i r a view e M them Na t u ralis m A fo rm o f the write realism in w belie r con hich f tha veys of th t e na everyth the expl tura l wo ing is pa aina rld a ble b phys rt nd y na ical t c are victi auses; ural or ms o char acte f nat rs ural force Exa s m pl es: Less Dor i ng is the s A V She eld; M Sunrise ll on Will eys Fr ary a iam the Gold nkenst ein; Flie ing s s Lo rd o f es: s l t p f i m Exa han Sw posal; t a ro n P o n J t a s M e d n o o e y p

M a o s P s r E e n nd A a x le A y b ng i t i r w y r u nt d th ce e t a 8 t An 1 that imi ture a style cal liter f strict , o si y s r e a t l s e c m eu h m t y with logic, s y, & t , i r s m a e r l s c o fo p t, r n i u a p r rest seness; ction in i u r c t n s o n i c d l e a i d c u incl l and so ys, a a mor ior; ess re, and v ti a a h s e , b s

ite r m o a v r epig y are fa riting d w paro of this s m r o f nt e m e v o m N m s i c i s s a l c eo Non fic tio n Pros peop e writ ing a le, p bout lace s, an real d ev ents Exa Aut obio mples biog : essa raph graph ys, diar ies, let ies, mem ies, ters o i r jour s, sp , Pas nals ton e e c Lett , hes ; Th ers; Chu e rchi W i nsto lls spe n ech es el No v d An e d n e t ex f o k r o w n o i t fic

: s e l p m i a e t Ex s n e k Fran rd of o L ; n s; e i l F e th The ge n a r . r t S D f o e Cas l and l y k ; e J e d Hy . r w M e N e v a Br A ; d l Wor rate a p e S e c e i P O c ta ve Eigh t line first s of e p that ight line oetry; t h m s pres ay ask of a so e ent a pr a quest nnet oble i on o m r Exa mpl e: S son net hak e 2 pos ing 9 open speare the s s by des p pair ; mi roblem rhym ght of e

s h abb c a or heme ave a of a aba bba bcd , cd y c r e P : s s e l y p m lle a e f x h o E S e e s i h a s r s d p n By n a i s d n m i e W t po s e a W f e o h o t e t s i _ _ a _ r _ p _ n ( i ) k r d la in y W k t S s e W e h t x e l p om a c , d s e t

p l o a l x e e v e n d A t a d e h t fi i c n g i e lyri s d i , a s r u p o i n r e e t f s r o o ; , e e them e, natur l e t p a o r e o p m e m m o c s t n e ev e d O t c a x e t o n s i t a h t e r m o y e h r End ear rhym n . t e t u a b im x o r d app

n a e m o c g o r : F s e e l th h p i T m m S e Exa m in i v e t o S do e by c n i r P Off y h R me Omn is c ie n t Poi n t of V i ew The all-k now pers ing pect ive o into the f the m than narr inds a o dept ne cha of more tor ract h an er; a perm d co llow mple i t t e s d wi pers x i t y no th th on o t e fir r lim stited p.o.v . Exa mpl es: Roc Th king e by D Hor s .H. Law e Winn renc er e

o n O a i e o p o t a m : s e l p , m e l a g r Ex u g , z z bu per, s i h w r u m r u m se o h w s d Wor s echo s d g n n u i n so a e m r i e th Oxy mo r A c o onci n two s e p cont arad that r a di ox; ctor are y ter pl a c ms ed t oget for e her ffect Exa mpl k in d es: ne s cru s , fear e o r bra l , o r b ve r il l ia mor nt on

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